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unmediated

 

July 06, 2005

Cultural anthropologist Mizuko Ito was one of the sources for my Smart Mobs research; she's now a researcher at the University of Southern California's Annenberg Center for Communication. Together with cognitive psychology Dausuke Okabe of Keio University's Keitai Lab and Misa Matsuda, Ito has edited Personal, Portable, Pedestrian, an MIT Press book on mobile communication practices in Japan. This issue of Vodafone's receiver is dedicated to articles about mobile communications in Asia. . Okabe and Ito's contribution is a provocative and surprising ethnographic portrait of the way cameraphones have become a new kind of communication medium in Japan:

Most photos taken by camera phones are not sent or shown to others, but are captured more as a personal visual archive. Not posed, staged, or particularly well-framed, they are snapped casually, with the intention of recording a momentary slice of a viewpoint on everyday life. Most of these images are pedestrian and unremarkable; some are more personally significant. For example, a female college student says “… I took the photo of my professor’s profile … this photo is just an omamori (good luck amulet)”. In Japan, people often carry omamori simply to have a trusted spirit close by. This student sees her photo as a similar kind of presence.

Within the broader ecology of personal record-keeping and archiving technologies, camera phone images occupy a niche that is more personal, fleeting, and commonplace. One participant says, “The camera phone is my eye. The personal viewpoint is the most important thing”. These are not random photos, but are rather an individual’s visual perspective on everyday life, archived on a small screen always at hand.

Originally from Smart Mobs, remediated by yatta on Jul 6, 2005 at 06:11 PM