Tracking the tools that decentralize the media. tools process ideas resources eventsav

unmediated

 

July 19, 2005

A darkened theatre. A full house. A heroic act. A mighty roar from the crowd. This is the delight of good cinema.

I love going to the movies with people, even people I don’t know. I love to hear others’ reactions, and discuss the movie with people afterwards. In fact, I love it so much, that when my neighbor shows movies in many languages from all over the world in his backyard on Saturday nights during the summer, I often go down for the movie and end up enjoying the wine, cheese, and conversation more than the images flickering across a bedsheet waving gently in the breeze.

So, I got to thinking: What if you could rent a theater for a night? Then I read this: “At this year’s Sundance Film Festival in Park City, Utah, filmmaker David LaChapelle screened his new hi-def movie, Rize, by streaming it from Oregon and then transmitting it through a WiMax station in Salt Lake City. It worked flawlessly - soon even theaters won’t have to rely on physical media anymore” (from http://www.wired.com/wired/archive/13.04/start.html?pg=2).

Improvements in bandwidth and compression will usher in the possibility of streaming movies directly to local theaters.

The cost of streaming cinema could be as low as free, depending on the film’s provider. What this means is that films can potentially be shown to smaller audiences. And this, in turn, means that those audiences could select the film that they want to view and schedule the theater in advance. Moreover, there’s no reason to think that audiences merely want to watch only new films. Imagine a small (but big enough) cadre of film buffs pitching in to watch Citizen Kane on the big screen for a Saturday night. Or how about an all-day Star Wars or Star Trek marathon? These scenarios become not just possible but likely, given the technological transformation. The notion of a film having a “run” becomes meaningless. Films could be made available permanently and would continue to pay the creators back over a very long lifetime of being accessible. It need scarcely be mentioned that this would dramatically change the social dynamic of moviegoing: no more "opening weekend" mega-stats, and films would no longer need to be judged on how much money they might make in a single season.

Continued...


Originally from Many-to-Many, remediated by shawn on Jul 19, 2005 at 05:01 PM