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October 20, 2004

decentralized cinema: Voices of Iraq

Voices of Iraq looks to be a major attempt at decentralized video production, and will be in theaters by the end of the month. About the film: Voices of Iraq was filmed and directed by more than 2,000 Iraqis from all walks of life. The producers distributed 150 digital video cameras across the country and received over 450 hours of footage from teachers, doctors, policemen, children and even insurgents. The film offers a unique opportunity to hear the diverse perspective of Iraqis on issues at the forefront of a global debate over war, terror and the prospects for democratic reform.

The film will be distributed by Mark Cuban and Todd Wagner's Magnolia Pictures (press release here).

Voice of Iraq is a starting point for a truly decentralized media (and cinema). 450 hours of footage and 2,000 participants yet the end result is a traditional linear documentary and a website with only a few video clips? Why not create a highly annotated database and archive of all the footage and let us link and comment and interact around and with the film and filmmakers? It's the difference between "here are the voices of Iraq" and "use your voice how you wish Iraq". In addition to editing and reducing things into linear media products enable conversations around events, opinions, and stories. Sure, it's nice to have a film too, but the film should only be one of many products of a decentralized media production process. Yeah, a DVD that stuffs even more footage into a digital media product will be sold at some point. But even then, the ability to use the web to talk to each other and say 'here's a clip that I think you should see' or 'this is what I'm talking about' or 'what happened after you turned the camera off' is what we're really looking for. But it's a great step forward for citizens hungry for decentralized media production and distribution and I'm looking forward to seeing the film.


Posted by Eli Chapman at 11:32 AM


Comments

It is not entirely a decentralized film. The producers broke with their format of showing a film made up of footage shot by Iraqis themselves in the time after the invasion. They did this by inserting footage of torture under the Saddam regime into the film. Why would they fracture their own film making format in this way? Why show such violent scenes (and the scenes, including footage of hands being cut off and people being blown up, are some of the most violent to be shown in any documentary)? Perhaps one reason is what structures lay behind the making of this film (go to http://www.antiwarcommittee.org/resources/Iraq/Lagoonflyer.pdf for a detailed analysis of this). The obvious answer to the question of why they don't make all the footage available is that the editing was the most important thing. It is, in the end, a rather crude piece of PR that might just work for what its purpose was meant to be. It begins, yes, with two sides being presented (somewhat programmatically and rigidly and unrealistically two-sided, in fact). Then, some footage of Saddam-era torture is shown - very violent. Then very little comment that is anti-US is shown and the film builds towards a feel-good Americans are saving the day kind of atmosphere towards the end.

Posted by: Roberto at April 4, 2005 04:35 PM

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